There is a theory that claims it is not humans who dominate the earth, but much lower forms of life: the bacteria that we carry within us. We are merely the vessel in which they travel. I am reminded of this whenever I visit the web site of a major content provider these days. The relationship between content and advertising is much the same: advertising is ascendant and ubiquitous; the content is now just the carrier.
All I wanted to do was click over to theatlantic.com to read the esteemed Ta-Nehisi Coates’s take on the Charleston shootings. But an article that should have taken two minutes to read took more like ten. Here’s why:
Before I could even finish reading the headline, my screen froze, commandeered by a big gray box. I had to wait to delete it, which allowed time for the usual sidebar ads to load.
I’ve learned to ignore them, but it’s not as easy to gloss over the latest in ad-mania, the screen-freezing, expanding video ad, in this case a CG cartoon with happy kids and happy mom extolling the virtues of frozen food—in the middle, let me remind you, of an article about nine people shot and killed in cold blood—nice placement, Atlantic. A trip to my frozen food section was exactly what was on my mind.Then, more in-story ads, and more sidebar ads. I’m glad The Atlantic is doing so well, I guess, but I can’t help wondering if they’re practically giving those ads away at reduced rates just to get advertisers on board—the print edition of the magazine is pretty light on ads compared to just a few years ago. Reminds me a bit of late night cable channels, where people like the Temp Tooth company can afford to advertise.
Finally, for those who have persevered to the end of the article, the reward is a phalanx of minor or self-promotional ads, encouraging the visitor to spend more time on the Atlantic site and waste more time viewing ads.
The web is rapidly becoming more like TV. You can’t watch anything now without ads not only interrupting programs for 15-20 minutes each hour, but also liberally peppered throughout the shows themselves—those annoying promos for other shows that pop up in the corner of your screen while you’re trying to watch your chosen show. Even PBS has ads now, at the start and end of most programs, even if they don’t admit it.
But you know me, always looking at the positive side of things…
In a funny way, maybe the saturation of advertising in our media may be the best thing that ever happened for the book. Maybe people will become so fed up with this ever-increasing barrage of intrusion that they’ll seek refuge in the last place where one can spend quality time without an advertising assault. Then again, maybe it’s just a matter of time before the Big 5 figure out a way to implant interactive ads within the pages of a novel, ads that make it physically impossible to turn the page until you’ve stared at the ad for at least ten seconds.
I can hardly wait.
 I can only assume they were extolling—at least I have the foresight to mute the sound on my computer when I surf.
 Yes, it’s real. Who could make this shit up? (And, yes, they have a pop up video.)
Super book cover designer Chip Kidd talks about his craft and career on TED. It’s funny and very informative for those of you who have books in the publishing cycle. A bad cover can kill a good book. A great cover can mean sales and success. More:
We live in Dickensian times: the collapse of economies throughout the world (especially Europe) has brought new suffering to millions of people. Here in the states we still have massive unemployment, to the point where many people have given up looking for work. As sad as the situation is for these people, it’s a boon for writers, for we love to write about conflict and suffering. Run out of story ideas? Just listen to the news. It’s a bad time to be a member of the working class, but it’s a great time to be a writer. More: